The nice people at UCA asked me to do a little interview for my film Blue Light, and here it is:
Student animation exploring PTSD and the emergency services screens at festivals around the world
date: Friday 22 September 2017
A short animation exploring how Post-Traumatic Stress Disorder (PTSD) affects the emergency services, created by one of our Farnham students, has been accepted into film festivals around the world.
Blue Light, by Harriet Croucher, was inspired by the recent-graduate’s father, who was retired from the London Fire Brigade with PTSD. The hand-drawn documentary film is now set to screen at a n...
I am pretty pleased with this. Obviously it needs a few more in-betweens, but I like the rough and jarring look of the animation, and the intensity of the colours. Nearly there.
I have spent far too much time on this sequence. It's only a few seconds long, but I know if I can get the look and feel right, it will pave the way for other sequences of the film. I tried at first, just using oil pastel, but it wasn't frantic enough, so I have gone back over the frames with watercolour splashed all over the place.
I have also decided to use a couple of frames which are really photographic. Not many, just a few mixed in with the animation, to see if I can get a really jarring feel, whilst still hinting at a sense of reality. Fingers firmly crossed.
So many call outs for emergency service personnel are for road traffic collisions. I spent some time at a fire station, observing firemen training for such an event. This sequence, I really feel this sequence needs to feel anxious. Over bright colours and jarring animation, I hope will do the job.
During an interview I conducted with a retired police officer, he recounted the story of a 4 year old girl, who had been taught to light her parent's cigarettes. "The nightgown she was wearing was nylon..."